Clay Kitchen Portugal
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Clay Kitchen Portugal: where clay, fire and community meet
Clay Kitchen Portugal is more than a ceramics studio. It is a place built on the belief that making pottery is ultimately about bringing people together. After years of working with wood-fired ceramics and studying traditional firing practices, ceramic artist David Trueb dreamed of creating a place centred around his own train kiln—a place where artists, students and clay enthusiasts from around the world could gather to learn, experiment and share, not only technical knowledge, but also meals, conversations and everyday life. His vision was to create an environment where ceramics is lived as much as it is practised. As he often says, “Once clay gets into your veins, it never really leaves.”
The kitchen as a philosophy
The name Clay Kitchen Portugal was chosen deliberately. In every home, the kitchen is the heart of daily life—a place where people naturally come together to cook, eat, exchange ideas, celebrate and tell stories. It is often the room where conversations last the longest, where relationships grow stronger and where memories are created.
Clay Kitchen Portugal embraces that same spirit. Here, people gather not only around a table but also around the wheel, the workbench and the kiln, united by curiosity and a shared desire to learn. The studio is designed as a place where making and living naturally come together, where craftsmanship is inseparable from hospitality.



Wheel, workbench, kiln
Located on Portugal’s wild Alentejo coast, surrounded by cork oak forests and the Atlantic landscape, the studio encourages a slower rhythm of both work and life. Removed from the distractions of everyday routines, participants are invited to immerse themselves fully in the ceramic process. Learning happens not only during demonstrations, but also while preparing clay, stacking shelves, cooking meals together or simply sitting around the kiln waiting for the next stoking. The studio becomes both a workplace and a home.
Learning around the kiln
At the heart of Clay Kitchen Portugal is a deep commitment to wood firing. Unlike electric or gas kilns, a wood-fired kiln requires continuous attention over many hours, sometimes for several days. Every firing becomes a collective effort. Participants prepare and split wood, carefully stack the kiln, monitor temperatures, adjust the atmosphere and feed the fire throughout the day and night. Rather than being a solitary technical exercise, the firing becomes a shared ritual built on teamwork, patience, endurance and mutual trust.
For David, this collaborative nature is precisely what makes wood firing so meaningful. The kiln asks people to work together, observe carefully, adapt constantly and embrace uncertainty. Every decision—from the placement of a pot inside the kiln to the rhythm of adding wood—shapes the final outcome. Yet despite careful preparation, no firing can ever be completely controlled. Fire, ash, flame and time become active collaborators, each leaving their own mark on the finished work.

Fire as a collaborator
This unpredictability is one of the defining qualities of wood-fired ceramics. As ash circulates through the kiln, it settles naturally onto the clay, melting into subtle ash glazes, rich textures, flashing colours and complex surfaces that cannot be reproduced by industrial processes. Every piece emerges as a unique record of the firing itself—a dialogue between the maker’s intention and the natural forces inside the kiln. The resulting surfaces carry a depth and vitality that continue to fascinate ceramic artists around the world.
Clay Kitchen Portugal is built around these values of patience, craftsmanship and collaboration. Technical excellence is important, but equal value is placed on creating an environment where people feel welcome to exchange ideas and learn from one another. Shared meals, conversations over coffee, evenings around the kiln and the collective rhythm of preparing a firing become just as meaningful as the finished pots themselves. Like the kitchen in any home, Clay Kitchen Portugal nourishes both creativity and community.
Clay Has Memories
This philosophy finds its fullest expression in Clay Has Memories, a ten-day immersive workshop bringing together three internationally respected ceramic artists: Jean-Nicolas Gérard, Tara Wilson and Josh DeWeese. Although their practices have developed in different parts of the world, they share a deep commitment to wood firing, craftsmanship and the belief that ceramics is best learned through generosity, collaboration and shared experience.

Their connection goes back many years. Jean-Nicolas Gérard first met Josh DeWeese during an artist residency at the Archie Bray Foundation in Montana, after Josh discovered his work in an exhibition in Portland. There he also met Tara Wilson while firing the train kiln, beginning friendships that would continue through further firings, residencies and collaborations. It was from this shared history and a desire to meet again around the kiln that Clay Has Memories was born.
The workshop’s title reflects a simple yet profound idea: clay records every touch, every gesture and every decision made by the maker. Yet the memories created at Clay Kitchen Portugal extend far beyond the ceramics themselves. They live in the friendships formed around the kiln, in shared meals, late-night firings and conversations that continue long after the workshop ends. In that sense, Clay Has Memories is as much about people as it is about clay.







One firing at a time
For David, this is the true purpose of Clay Kitchen Portugal. The kiln is more than a piece of equipment, and the studio is more than a place to learn techniques. Together they create a space where craft becomes a catalyst for human connection, where traditional wood firing continues to evolve through collaboration, and where every workshop celebrates the timeless relationship between clay, fire, landscape and community.
In the end, Clay Kitchen Portugal is true to its name. Like the kitchen in any home, it is a place where people gather, stories are exchanged and friendships are formed. The clay remembers every touch, the fire leaves its own signature, and those who spend time around the kiln leave with something far more lasting than a finished pot: the memory of a shared experience.
Irene Nunes
| Clay Has Memories with Jean-Nicolas Gérard, Tara Wilson and Josh DeWeese Workshop at Clay Kitchen Portugal, Vila Nova de Milfontes, Portugal, 18-28 March 2027 For more information: https://claykitchenportugal.com/clay-has-memories/ |

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Clay Kitchen Portugal
Ribeira da Azenha
Vila Nova de Milfontes
Portugal
www.claykitchenportugal.com
fire@claykitchenportugal.com
Instagram: @claykitchenportugal
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